VN thoughts: Charage and heroine perspectives
Recently, I've had reason to consider precisely what it is that makes the difference between a strong charage and a kusoge charage. There are a lot of important elements involved, from levels of character development to the overuse of the non-person protagonist. However, there was one element - or rather a tool - that seems to get overlooked a lot, despite its ubiquitous presence in almost every first-class charage. That tool is the heroine perspective.
The heroine perspective is where the narrative switches from following the protagonist to following one or more of the heroines. To be blunt, this is probably the single most powerful tool a charage writer has to make you fall in love with the heroine as a person, rather than as a one-dimensional talking doll. If a charage writer is failing to drop you into heroines' perspectives on a regular basis in the common route, it isn't a good sign. A single twenty-line peek into a heroine's head can often mean the difference between a wonderful, round heroine and a flat, boring heroine. Few heroines have the personal charisma necessary to leave memories inside your heart without at least one scene like this one, whether it is in a charage or otherwise. Whereas the everyday interactions between them and the protagonist provide you a broad outline of their character, it is the heroine perspective that is often needed to provide a drop of paint to the canvas, aiding in the process of filling in the lines.
I mean, cute only goes so far.
- Chronopolis and Tenkuru
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