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Hello, my name is Clephas, and I am/was a weaboo. *snickers at the AA reference* I'm mostly posting on this matter to give those otakus who aren't necessarily weaboos an idea of what it is like to be a weaboo (ignoring social problems, for the moment, haha) and just why we exist in the first place. First, to correct a common misconception... not all weaboos are solely obsessed with Japanese culture/history/etc. In fact, most Western ones are or eventually become interested in all Asian cultures. There are a number of reasons for it usually starting with an obsession with Japan, and I'll try to cover them all for you. The most obvious reason is that Japan's culture is so obviously different from anything in the average Westerner's personal experience (extracting those that come from first-generation Asian immigrant families). To be blunt, the average American can at least guess at European sensibilities and the average European can do the same, with some mental effort. We share a basic religious background, our social contracts are based on the same basic philosophy (with differences in preferences), and we tend to have similar cultural ancestors if we look back into history. Heck, even most of Latin American can say the same. So, for the average white-on-white Westerner (or Hispanic as the case may be), there might be numerous personal differences, but the actual cultural differences are in the details rather than the base elements. On the other hand, there is literally no common base between us and most Asian cultures, save that which we forcibly transplanted during the colonial days of the past two centuries. Whereas we experienced various types of paganism and polytheism followed by Christianity, they experienced Confucianism, Daoism, Buddhism, Hinduism, Shinto... the list goes on. Not only that, the way we developed our cultures was essentially different. Confucianism in China (and the symbol of the Emperor in Japan) provided a sense of structure and continuity for centuries that altered greatly the way Chinese see the world even today, though most of its precepts have been altered almost beyond recognition in the millennia since their development. This sense of continuity (in aspects other than philosophical) over such a vast period of time is perhaps one of the biggest causes of differences between Chinese culture in particular and Asian culture in general. To be blunt, when the Chinese were already an Empire, our ancestors were mostly banging on drums in small settlements across the face of Europe, begging the elements not to starve our children or flood us out. The 'weight' of culture is so much greater in Japan in China that Westerners in general and Americans in particular can't help but be impressed (or offended/frightened as the case may be) on first encounter with it. That said, whether that first impression turns to fascination or apathy is entirely based on the individual. People that are more curious are more likely to get sucked into it, whereas those who prefer what they already have are more likely to simply set aside that first impression and move on. Another reason is that Japan is really really good at 'advertising' its culture... without really trying. How many of you watched Pokemon, DBZ, or even Voltron or Robotech as kids without even knowing what it was? I think you'd be surprised at how many otakus received an early baptism of Japanese ideas that planted the seeds for an eventual otaku and/or weaboo transformation. For that matter, how many of you saw Teenage Mutant Ninja Turtles (new or old) or one of the more modern Batman movies? Perhaps because of the intimate role we played in rebuilding post-war Japan, as well as the stream of Japanese who immigrated after the war, Japanese influence touches lightly on a great deal of our urban society (less so on the rural, though). The 'second baptism' that most Americans experience is negative... it is history class when you hit WWII. The ferocity and apparent insanity (in the average Westerner's eyes) of the Japanese during the war causes an almost involuntary fascination in those who read about it, that frequently leads to a search for answers as to just why they acted the way they did during the war. This inevitably leads to the samurai culture (both popular and historical), thus frequently creating new weaboos in droves, despite the fact that the WWII history is pretty horrifying the way it is presented (and even worse in reality). No one is more mouthy and annoying than a new convert of any sort... and those weaboos that most annoy people are generally this type... the ones who haven't yet realized that their obsession can annoy others and thus can't stop themselves from chattering endlessly about some new aspect they discovered along the way, as if they were the first to find that particular fact out. Tips for tempering your obsession If you are a weaboo, it is almost inevitable you will say too much to someone who isn't interested at some point. In that way, it is a lot like standard otakuism. However, if you want to at least limit your annoyance factors, here are a few tips. 1- Don't beautify every single aspect of Japanese culture you find. Samurai culture led to the insane nationalism and mass suicides of WWII. Geisha were glorified prostitutes (albeit artistically beautiful ones). Ninja were spies descended from thieves and common murderers. (etc. etc.) 2- Be aware that Japanese culture can take some seriously ugly turns in the modern era (the fact that police don't get involved in domestic affairs, the weak rape laws and enforcement of those laws, bullying in schools and at work, hikikomori, karoushi). 3- Be aware that the excessive pride of some Japanese has led to a resurrection of the same nationalism that caused their involvement in WWII (modern historical revisionism focused on WWII and the events immediately preceding it is a prime example of this). 4- The Japanese really did do most of the horrible things their neighbors said they did... not to mention the POW camps where they held the Philippines US troops during the war. 5- Japanese gun control only works because they have no history of regular people possessing personal arms. Well, that ends my lecture for the day.

Komorebi no Nostalgica is one of the more interesting VNs I've read in the past three years. I occasionally go back and play one of its paths when I want to restore my faith in VNs, and one of its primary themes is artificial intelligence. There are a number of different viewpoints represented in the VN about AIs, ranging from classic horror stories and instinctive repulsion to acceptance and/or affection. Cinema, who is the source of most of the central conflicts of the VN, is a humanoid robot created before the big war that basically wiped out the internet archives and a lot of humanity's knowledge of its own past. She was apparently customized immensely by the man known only as the 'Store Manager', who ran an underground video rental shop with her as the clerk. She isn't a heroine, but it wouldn't be incorrect to state that she is the focus of all the major events of the story. In many ways, her personality and setting resemble that of the heroine from Planetarian, and those who played that ancient will probably be able to easily recognize the earnest, almost childlike nature of the two. The generation of humanoid robots after her eventually developed a self-determining will and intelligence, becoming fully sentient, sparking a pogrom (of humans slaughtering robots that were suddenly seen as a threat) that led straight into a war that shattered human society as it existed at the time. The war was... a draw, though a draw that turned out more to the advantage of the robotic Metasera than to that of humanity. During the war, Cinema was put into hibernation and hidden by her creator, until she was awakened by the protagonist and his hare- *coughs* friends. The Metasera, having gained the right to self-determination in exchange for forfeiting their right to aggressive self-defense, live in small arcologies based in just about every major city of the planet, learning from and aiding humans as they seek to evolve their budding intelligence and emotions further. One of the heroines, Fluorite, is a Metasera, and it is through her that you get the writer's insight into the idea of the results of a 'naturally occurring' AI. Cinema, on the other hand, presents an entirely different path to the same goal... she is a low-spec virtual intelligence that is designed to grow into full sentience and in the end gains a far wider spread of emotions than the Metasera... while also showing off a surprising degree of emotional development, even before she gains that sentience. The idea of an AI that develops intelligence before emotion and causes a war (the Metasera) versus an AI that develops intelligence after emotion and is a friend to humanity from the beginning (Cinema) is one of the many hidden themes of the VN. There were innumerable times in the VN that I felt intellectually stimulated or driven to express raw emotion. The story is just that powerful, after all. Moreover, the protagonist and friends are of the first generation to grow up without knowledge of the world prior to the Metasera, and it is the writer's portrayal of this aspect that is frequently the most interesting.