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Mushoku Tensei is above all a redemption story and at least in anime while Rudeus' pervyness and his horrible past life are present, his positive qualities and him overcoming past traumas are much more prevalent. The very beginning of the story is pretty uncomfortable IMO but it only gets better after that, so I don't think it should be unbearable by any standards.

I bought the first volume of LN for this a few years ago, but I'm yet to read it. Honestly, I'm afraid that this protagonist will be too much for me, but I also think from what people were saying about the story that it might make up for his flaws.

Sooo, I've been catching on some stuff from my to-watch list. First, Mushoku Tensei pretty much lived up to the hype. Really cool, character-driven isekai, with barely any weak points outside of the pervy stuff (which is not necessarily all bad, there is a narrative reason for some of it, but it's definitely overdone). I've wanted to watch it before the new season starts this summer and you can easily see how the original LN kickstarted the non-game side of isekai – it's so rich in its world and narrative that 90% of isekais after it ripped off major parts of it while rarely getting anywhere near it with either personality and/or complexity. Also loved how complete the first season felt, showing this massive personal journey of growth and overcoming trauma for Rudeus, while also giving a clear direction for the future. A few minor arcs felt rushed and slightly confusing, but overall, excellent piece of anime. 9/10? Cyberpunk: Edgerunners was another one I wanted to watch for a while and also enjoyed a lot. It feels like a short story more than a full series, but considering the subject matter, that's very fitting. It's all about how the world of Cyberpunk crushes people, and how it uses the very desperation it creates to exploit them even harder at every step. How Cyberpunks themselves, supposedly ones outside of the mundane oppression of the system, are actually another cog in the machine, used by the corpo powers as they please and discarded as soon and they lose their utility... But in the end, it's also not as depressing and grimdark as some reactions made me believe. I'm not sure there is much hope in it, but there's definitely some space for humanity and for some characters finding a better future, it's not just a tragedy for the sake of tragedy as some people make it out to be. Also 9/10 for me. Then, I've decided to finally check out Tokyo Ghoul... And... WTF? Just how botched that adaptation has to be if the manga is well-regarded? I kind of like the world, as I like vampires and this is basically a not-that-major spin on that theme... But holy crap the storytelling, it's just a neverending cycle of stupid->edgy->even more stupid->even more edgy, and then just fucking end in the most awkward moment imaginable. I actually quite hated the experience of watching it, and I didn't go in with such bad expectations, only with the knowledge that the adaptation was very imperfect. Maybe watching it as a dumb 15-year-old who really enjoyed Elfen Lied would leave me with a better impression... But I don't even think that's the case, it doesn't try to be a tear-jerker, it's just over-the-top brutal and obnoxious, on top of being rushed and sucking at character development... Meh/10.

Thanks for sharing it, I really like it.

Ayy what’s good you old FuwaFucks I’ve been watching Glass Mask the “newer” version, its pretty good for a drama, shoujo. Romantic elements present but not overt, realistic setback and character growth. When i saw it had a pretty gold score on MAL i had to give it a shot, and havent been disappointed

Your dreams are much too humble, young padawan.

ISLAND VNDB: https://vndb.org/v18498 BUY on Steam: https://store.steampowered.com/app/857450/ISLAND/ Summary Urashima is a small island, far from mainland Japan. It’s a true utopia, blessed with rich natural beauty. But the island harbours a difficult past, and it’s about to be erased, silently, from history. Soot blight syndrome, an endemic disease, has brought about a rift between the island and the mainland. An offshore platform intended for marine research has long been left abandoned; five years ago, three separate incidents brought the once influential Three Families of Urashima to near ruin. Rumours about children being spirited away have become part of the local folklore, alongside another legend, one that has been repeated on the island since time immemorial... “Let me tell you the legend of this island: it’s a story of tragic love...” The key to saving the island lies with three girls, each of whom belongs to one of the Three Families. These girls aren’t able to change the fate of the island by themselves, but might they succeed with the help of the young man who’s just washed ashore? Claiming that he’s traveled back in time, the man immediately sets out on a lonely path, challenging the long-standing traditions of the island, and seeking to change the future. But those aren’t his only goals... How will his presence transform the lives of these three girls, the future of the island, and the fate of the world...? [From official website] About "Island" Similar to G.O.'s previous works (Himawari), Island is a science fiction multiple route mystery with a fixed progression order. Your own enjoyment from the game will greatly depend whether you're capable of piecing together the presented fragments on the way to discover the truth. Despite being an all-ages title, Island is choke heavy on sexual humor (called shimoneta in japanese) and adult themes, including sexual content; explicit erotic content is simply not shown on-screen. Story discusses topics such as death and rebirth, loss of beloved ones, family, personal responsibility and a variety of science fiction related subjects - with time travel and many-worlds interpretation amongst few - but also astrophysics, genetics, spirituality, philosophy, human psychology and history of mankind. Most of the topics are entry-level, making Island a perfect choice for beginners willing to delve deeper into more complicated visual novels. General Info It is possible to actually chose between Karen and Sara during your initial playthrough, but I highly advise to chose Karen first, since her route acts as a natural introduction to the setting, without being as convoluted or cryptic as Sara's. Island contains many alternate endings (The so called BAD ENDS, although only few of them are tragic), with vast majority being story-based (non "game over" screens, where the protagonist typically just dies). Those endings need to be cleared in order to progress the story beyond certain points. The overall recommended progression order is as follows: SUMMER [Karen (restart) -> Sara (restart) -> Rinne] -> WINTER -> MIDSUMMER [Rinne End -> True End] This guide follows the above mentioned order, unlocking all the content along the way. Endings Aside from four main endings (Karen, Sara, Rinne and True End), there are total thirteen alternate endings available in-game (twelve for the SUMMER and one for the MIDSUMMER). You will see them all in a fixed order, provided you follow this guide. Names for the BAD ENDINGS are as follows (within their chronological order): Walkthrough Guide: All the saves are meant to be done during choices. The total number of saves used in this guide equals 16 and allows you to 100% clear the entire game. Save states in red are meant only for collecting BAD ENDS. You can skip those, if you prefer the trial & error approach. Regardless, this guide always assumes you have them cleared whenever required. Save states in blue are used for progression and remain the only ones you should be concerned about in general. We will be using those to jump quickly to required scenes without being forced to continously repeat large portions of the story. "Your choice" describes so called "flavour choices"; no matter the decision, they always lead to same exact outcome so pick whichever you like the most. Answers are merely kept to ease guidance. If you're lost or unsure, don't forget about the in-game flowchart! You can access it any time from the In-game menu and it can also be used to jump between already cleared scenes, similar to loading save states. Use it often! SUMMER KAREN SARA RINNE WINTER MIDSUMMER RINNE'S END RE: (TRUE END) BAD ENDINGS Attribution This guide was made thanks to the walkthrough available on Seiya-Saiga repository. All rights go to their respective owners. Everything else was done by le watakushi. If you'd like the high-res version of the title banner, PM me. Changelog 28/08/2019 - Rewrote certain parts of the guide for better workflow and fixed an inconsistency with Common/Summer route, which also made me partially omit one of the bad endings. 05/10/2018 - True end retrieved it's original name 09/09/2018 - Initial release

Hello ladies and gentlemen of fuwa! Today I will be sharing with you a little writing project I've been working on. Thanks so much to Forgetful Frank for agreeing to edit the book for me! When I started I was editing it myself, which is slow work and I often miss mistakes in my own writing, and so this way it should be a lot better for everyone involved Also, a big thanks to Melowbee for making the illustration for Kitsune! It's a wonderful confidence boost to actually have someone make drawings for my story! On to the book: キツネと私 - Kitsune and me Summary: After spending half a day locked in her clubroom at school, Sakura heads home in the middle of the night, in pouring rain. Taking refuge from the terrible conditions, she stumbles into and old and mysterious shrine. Here she discovers a strange little artifact that she thinks may have been stolen from a museum. Wanting to get it checked out the next day, she brings the artifact home. But as the artifact ends up coming to life in the form of the ditsy, energic and completely stunning Kitsune, Sakura's life will never be the same again... Information on the book: Kitsune and me is primarily a comedy, focusing on the relationship between the main character Sakura, and her new guardian ... fox-girl, Kitsune Mimiko. When writing it I focus primarily on having fun and silly interactions between the two, and purposely try to use clichés from common visual novel, anime, manga and light novel works. It's a fun little project I recently decided to start working on, and it's not meant to be taken too seriously. The story offers elements of comedy, romance (yuri), fantasy and action. The structure is fairly similar to most VNs, in that it starts of fluffy and is riddled with mainly humor, and then it gets more dramatic towards the end. Also, note that this is written in English, though I use certain words and phrases from Japanese. Again, this isn't meant to be taken too seriously. Words such as bentou will be in the book to keep the essence of the "Japanese setting" and words such as "ne" will be left in Kitsune's sentences, as they are a part of her speech pattern and that doesn't translate as well into English in my opinion. I also keep Japanese titles when I see fit, like using Kitsune's name. For these parts, translations are on the side of the Japanese symbols. DIGITAL PDF DOWNLOAD FOR THE BOOK! A sketch of Kitsune made by Melowbee! Art made by Melowbee, thank you x100!! Editing is done by Forgetful Frank, thanks so much for that! Special thanks to Nosebleed for helping me with Kitsune's name!